A great honour to have my essay published in this brand new Russian language collection of texts written by 22 international scholars:
EISENSTEIN FOR XXI CENTURY
by Garage Publishing
Introduction: Naum Kleiman (Russia), Renewed glory of Sergei Eisenstein
Jose Carlos Avellar (Brazil), The three-headed horse
Ada Ackerman (France) , Sergei Eisenstein’s haunting screams: a case of circulations between painting and film
Luka Arsenjuk (USA), “The Notes f o r a General History of Cinema” and the Dialectic of the Eisensteinian Image
Oksana Bulgakova (Germany), Eisenstein as curator
Julia Vassilieva (Australia), Eisenstein, Vygotsky, Luria: Psycotechnic of Art
Michael Kunichika (USA), Eisenstein’s Prehistory
Håkan Lövgren (Sweden), Eisenstein’s “October”: On the Cinematic Allegorizing of History
Pietro Montani (Italy-Lituenia), Eisenstein and Vygotsky. Words and Images in Internal Speech and the Construction of Film
Pierluca Nardoni (Italy), Struggling over Abstraction: Eisenstein and Malevich on Cinema
Joan Neuberger (USA), Picasso and Other Failures: The Politics of Immersion in Eisenstein’s Later Dialectics
Ana Hedberg Olenina (USA), Distorted Echoes: Pedological Ideas in Sergei Eisenstein’s Film Theory
Karla Oeler (USA), Eisenstein’s Shakespeare
Massimo Olivero (France), The Two-Headed Ecstasy: The Philosophical Roots of Late Eisenstein
Natalia Pyabchikova (Russia), Eisenstein, the Detective
Masha Salazkina (Canada), Eisenstein in Latin America
Antonio Somaini (France-Italy), “Ursprüngliche Impulse,” “urge”/ “Triebe”, “besoin fondamental”. Kracauer, Eisenstein, and Bazin on the Media- Anthropological Foundations of Cinema
Pia Tikka (Finnland-Estonia), Simulatorium Eisensteinense: Eisenstein’s legacy in art and science
Hannah Frank (USA), “Proceeding from the heat-oppressed brain”: thinking
through Eisenstein’s Macbeth drawings
Arun Khopkar (India), The Flower Bridge and the Archimedean Points
Yuri Tsivian (USA-Latvia), Synthèse: Duality as a Method and a Constructive Principle
Luis Elbert (Uruguay), Meetings with Eisenstein in the River Plate Basin
Dustin Condren (USA), Subjective: Eisenstein and Animation of Objects.
