May 14-25 Cannes XR and NEXT http://www.marchedufilm.com/en/next/home
The Brain on the Screen
Invited talk on Neurocinematics at the Max Planck Institute for Empirical Aesthetics (MPI), Frankfurt am Main, March 26, 2019.
Presentation at the Cinema of the Deutsches Filminstitut & Filmmuseum, Frankfurt am Main, Brain on the Screen public series of 4 introductory talks: Ed Vessel, Vittorio Gallese, Marie Therese Forster, and Pia Tikka.
Run Lola Run (German: Lola rennt) is a 1998 German thriller film written and directed by Tom Tykwer, and starring Franka Potente as Lola and Moritz Bleibtreu as Manni. The story follows a woman who needs to obtain 100,000 Deutsche Mark in twenty minutes to save her boyfriend’s life.
Diese und weitere Fragen stehen im Zentrum der Film- und Vortragsreihe „The Brain on Screen“, die das Max-Planck-Institut für empirische Ästhetik gemeinsam mit dem Deutschen Filminstitut & Filmmuseum im März 2019 veranstaltet. An vier Dienstagen (5., 12., 19. und 26.03.2019) werden vier Experten jeweils eine Einführung in vier Filme geben, die aus neurowissenschaftlicher Perspektive interessant sind.
Während der anschließenden Filmvorführung hat das Publikum die Gelegenheit, hautnah mitzuerleben, wie neurowissenschaftliche Forschung zum Filmerleben aussehen kann. Wer möchte, kann Teilnehmer in einer den Film begleitenden Studie werden.
„The Brain on Screen“ bietet einen wissenschaftlichen und praktischen Einblick in ein spannendes Forschungsfeld und verwandelt das Gehirn selbst in einen Akteur.
Wenn Sie Interesse haben teilzunehmen, können Sie sich hier anmelden.
Invited talk at Hong Kong Baptist University, March 2019.
The concepts of enactive cinema (Tikka 2008) and enactive media (Tikka 2010) are discussed, against the theoretical foundations of enactive cognitive sciences (Varela et al. 1991). Accordingly, a holistic first-person experience can be understood as being and playing a part in the world. The approach suggest going beyond the conventional concept of human–computer interaction by emphasising unconscious interaction between the experiencing participant and narrative systems. Instead of directly manipulating the narrative, the unfolding of the story is affected by the participant’s enactive emotional participation, tracked, for instance, by biosensors.
Lectures with video screenings, reading articles, and discussing on enactive mind and narratives; instructed/tutored hands-on enactive design exercises in small teams, analysing and reviewing created projects, demos and/or concepts.
Basic understanding on enactive mind and enactive narrative systems
Basic understanding of the use of biofeedback in enactive media design
Prof. Dr Pia Tikka, Dr. Ilkka Kosunen, School of Film, media, art and communication & Center of Excellence MEDIT, Tallinn University; Several visiting lecturers (t.b.a.)
Meet Pia Tikka at the Berlinale 360° VR Screenings!
Join the talks and meet-ups with other VR professionals at the new screening venue “VR Cinema at Marriott”, which provides the ideal infrastructure to present VR content, thanks to our partner INVR.
Screening Schedule & VR Library
Location: VR Cinema at Marriott
Opening hours: The cinema is open daily from 10 am-7 pm.
Experience all VR projects in the VR Library from the 12th to 13th February.
Freud’s last Hypnosis, a neuro-interactive 360 movie for EMOTIVE VR
Presentation of the ongoing project Emotive VR prototype, an innovative form combining VR and EEG headsets. A neuro-interactive omnidirectional movie has been realized, visualized in Virtual Reality (VR) Head-Mounted Display (HMD). During the visualization, the EEG signals are recorded and analyzed in real time. Some visual effects and an interactive music vary according to the emotional state of the viewer.
Marie-Laure Cazin is a Fine Arts teacher in the High school of Arts and Design ESAD-TALM (France) and in Paris 1 Panthéon-Sorbonne. Part of the Enactive Virtuality Research Group, in BFM, University of Talinn, she is currently completing a PhD in Aix-Marseille University (France) on Cinema and Neurosciences. As an artist and a filmmaker, she has developed many experimental cinematic prototypes, using digital tools to create a live interaction between the film and performers or spectators. She collaborated with scientists for art-science projects, working with brains’ datas of emotions in her last interactive projects.
See projects on line (Fr)
Sound designer Matias Harju webpages (Eng)
EMOTIVE VR documentation online (Fr)
2 TALKS on EMOTIVE VR by Marie-Laure Cazin (ESAD-TALM, France)
Visiting lecture at Aalto University, Aalto Studios, organised by Virtual Cinema Lab & Enactive Virtuality Lab, January 30, at 14-15
January 30, at 14-15 Place: N-416, BFM, Narva Mnt 27, Nova Building, Tallinn University.
Enactive Virtuality Lab on excursion at the Medialab-Prado AVLab, a space for creative experimentation involving sound art, visual art and performance art based on open and collaborative processes. Its areas of activity are: experimental music, live audio and video processing, video games, media facades, performance art and live performances.
And participating in AVFLOSS meeting for project initiatives (above).
EmpaticaXR is a Transformative Technology and Evolutionary company translating cutting-edge neuropsychological knowledge into experiential narrative XR experiences aimed towards human flourishing. The researchers at EmpaticaXR are encoding concepts from the cognitive sciences, in combination with the emotional power of the cinematic narrative storytelling arts, to create the audiovisual transformative experience of wonder and awe that can only be massively spread through the power of XR, AI & Biometric Technologies.
Meeting with Alejandro Sacristán, EmpaticaXR Business Development & Operations, Madrid and Jorge Esteban Blein, VR Creative Director, and immersive storytelling consultant (in image).
Followed by a visit to the reactive professor Jose Maria de Poveda at empathic Reactive Media Lab (eRMLab)”, Universidad Autónoma de Madrid, UAM.
(In image at left Profesor Jesús Poveda de Agustin, in the middle professor Jose Maria de Poveda)
The chief editor Douglas Rosenberg is very excited to share the news:
The Oxford Handbook of Screendance Studies has been awarded the 2018 Oscar G. Brockett Book Prize for Dance Research by The Dance Studies Association.
The following is the citation offered by the selection committee about the book:
The Oxford Handbook of Screendance Studies, which is skillfully edited by Douglas Rosenberg, features a gracefully comprehensive introduction and thirty-six impactful chapters from leading scholars who expand our understanding of screen technologies as creative, collaborative tools for dance. Both foundational and insightful, the essays focus on pioneering figures like Loie Fuller, Maya Deren, and Norman McLaren; on histories from Harlem and Hollywood to Brazil and Bollywood; and on themes that productively intertwine virtual bodies, framing, editing, space, race, gender, and politics. Authors from Dance Studies and related fields turn their gazes toward the way screendance can provide a liberating or controlled space, an ever-changing canvas, a democratic frontier, a site for social justice, new aesthetic pleasure, or a viral phenomenon with many meanings. Readable, rigorous, and thought-provoking, The Oxford Handbook of Screendance Studies engages popular, contemporary, traditional, and historical dance, offering wide-ranging new ways of understanding how ideas travel and can transform our lives through the “stage” of the screen.
The award will be conferred at the annual Dance Studies Association Conference at Northwestern University, August 8 – 11, 2019.
The Oxford Handbook of Screendance Studies is the first publication to offer a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance.
Pia Tikka & Mauri Kaipainen contributed with the chapter on “Screendance as Enactment in Maya Deren’s At Land: Enactive, Embodied, and Neurocinematic Considerations”